Film
My approach to directing is observational; the camera placed at the requisite distance, allowed to watch rather than intrude. Frames are given room to breathe. What happens within is orchestrated but not forced.
Record of Work
Artists
- 67 Special
- Abby Dobson
- The Affected
- Airbourne
- The Androids
- Automatic
- Axle Whitehead
- Blush
- The Boss Hoss
- Che'Nelle
- Christine Anu
- Dan Greenwood
- Dan Sultan
- Daniel Merriweather
- David Franj
- Deni Hines
- Eskimo Joe
- The Galvatrons
- Grinspoon
- Harriet Allcroft
- Heli Simpson
- Jet / Iggy Pop
- Kate Alexa
- Killing Heidi
- Lash
- Lavaland
- Lavish
- The Living End
- Low Frequency Occupation
- Magic Dirt
- Mantis and the Prayer
- Mark Sholtez
- The Mavis'
- Mishelle Bradford Jones
- Monique Brumby
- Motor Ace
- Nokturnl
- Number Station
- The Panics
- Paul Dempsey
- Rebecca's Empire
- Ricki Lee Coulter
- Sindog Jellyroll
- Skunkhour
- Something For Kate
- Space Like Alice
- Stonefield
- Sugar Lips
- Superheist
- The Superjesus
- Swirl
- Tex Perkins and You Am I
- Tina Arena
- Tom Jordan
- The Verses
- Violetine
- Weta
- The Whitlams
- You Am I
Commercials
- Carlton United Breweries
- Rheem
- Canberra Tourism
- Myer / Northland
- Red Bull
Documentary / Educational
- Open House Melbourne
- Heritage Council Victoria
- Culture Victoria
- Melbourne University
- The Australia Institute
- Municipal Association of Victoria
- Maroondah City Council
- Industri Education
- Academy of Interactive Entertainment
- Reggio Emilia Australia
- The McIntyre Partnership
- Vicgrain
- Unlimited: Designing for the Asia Pacific
Awards & Nominations
- ARIA Awards
- London International Awards
- MTV
- Australian Animation & Effects Festival
Archive & Collection
- National Film and Sound Archive
- rock'n'popmuseum, Gronau
Labels
- Sony
- Warner
- BMG
- EMI
- Universal
- Shock
- Festival Mushroom
- Roadrunner
- Spinefarm
- Liberation
- Australian Broadcasting Commission
- Capitol Records